![]() Am I brushing too hard? Is my ink getting thicker? Is this just the way it goes with Hanga and Akua color? Do I have to dampen my paper (which I really don’t want to have to do)? Too much pressure on the press? Am I just asking for too much and I should switch to another ink? Do I have to use paste with this? Anyway, I find that after about the first 3-4 prints, which seem to go well but are not always as dark as I hope, I have a ridge of ink around the imprint area but the actual area of paper that shooouuuld have ink, doesn’t. I have hand burnished with a baren with limited success and huge hand and wrist issues. Here is my latest issue and since I don’t have any experience brushing on any other ink, I don’t really have anything to compare this with. I have a press (just a baby Blick but I love it). Hard to find info about using Akua Kolor Monotype ink and the Moku Hanga (brushing it on the relief block instead of rolling it on). I just love the look of transparency I get and not having to dampen the paper is a big plus. Mushrooms in a Row by Linda L.I am determined to make this work.Grasshopper by Antonia Oakley | White Line Print.The Contingency by Jacki Boyer | Mokuhanga.Gene’s Mountain by Marcia Guestschow | Mokuhanga.Nostalgia by Nobuko Yamasaki| Mokuhanga.His Dream by Nobuko Yamasaki| Mokuhanga.Paper Airplanes by David Prescott | Mokuhanga.Spring Splash by Nobuko Yamasaki| Mokuhanga.Rising Above It All by Jacki Boyer | Mokuhanga.Echiveria by Antonia Oakley | Mokuhanga.Morning Mist by Nobuko Yamasaki | Mokuhanga.Winter Sky by Nobuko Yamasaki | Mokuhanga.Soaring by Marcia Guestschow | Mokuhanga.Self-portrait with Blue by Werner Croonen | Mokuhanga.When the Snow Comes by Nobuko Yamasaki | Mokuhanga.The Moment by Nobuko Yamasaki| Mokuhanga.Remembering Owlie by Ann Elizabeth Mesritz | Mokuhanga.Summer Afternoon by Nobuko Yamasaki| Mokuhanga.Eventide by Marcia Guestschow | Mokuhanga.Beautiful Invader by Werner Croonen | Mokuhanga.Talkative Vegetables by Nobuko Yamasaki | Mokuhanga.The Glade by Marcia Guestschow | Mokuhanga.As the Wind Blows by Nobuko Yamasaki | Mokuhanga.City at Night by David Prescott | Mokuhanga.Cologne Cathedral by Werner Croonen | Mokuhanga.It’s free, and guests will have the opportunity to meet the artists and discuss the exhibition in person. The public is invited to attend an Artists Reception on Saturday, June 10 from 1-3 pm. Gallery Director Candace Law adds, “We’re pleased to welcome Nobuko back to the Gallery and delighted to feature a selection of the creative woodblock prints produced by Detroit-area artists who have studied with her.” Several of Nobuko’s own works are included, too. McCauley, Ann Elizabeth Mesritz, Antonia Oakley, and David Prescott. Nobuko has selected for the exhibition prints by seven artists who have participated in her workshops: Jacki Boyer, Werner Croonen, Marcia Guestschow, Linda L. Similar to Western woodcut prints in some regards, mokuhanga uses water-based inks instead of oil-based inks-providing a wide range of vivid colors, glazes, and transparency. It is best known for the ukiyo-e style prints popular in Japan during the Edo period (1603–1868). Mokuhanga is a traditional Japanese technique for woodblock printing. Artists Reception: Saturday, June 10 at 1–3 pmĬolor | Ink Studio & Gallery is pleased to present the “Nobuko Yamasaki: Mokuhanga Workshop Show”, an exhibition of woodblock prints curated by artist Nobuko Yamasaki. The show opens on June 9 and runs through July 7.
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